|
Twin Cities area, 2003–presentVavricka Juntti (IN Food Marketing). Production design: advertising, collateralCampbell Mithun. Production design: advertising, collateral Merrill Brink. Production design: foreign-language technical documentation TripleInk. Production design: foreign-language collateral Martin/Williams. Typographic consulting, production design: advertising International Translation Solutions. Corporate identity, logo refinement Level Brand. Production design: advertising, collateral JDS Marketing. Production design: catalogs Peggy Lauritsen Design Group. Production design: advertising, collateral Chance Nelson. Production design: advertising, collateral Allina Media Services. Production design: informational displays, collateral Augsburg Fortress. Production design: catalogs Hendler & Johnston. Digital production: advertising, collateral
Apothecary Products (pharmaceutical supplies). Production design: Thomson West Digital production: corporate communications The Concept Group (ad agency). Production design: advertising Banta Digital (printer). Digital production: catalogs BI Worldwide (incentives). Production design: advertising, collateral, catalogs
New York, 1984–2003Macy’s. Hand art: package compingScholastic, Inc. (publisher). Production design: textbook production National Football League. 3-D structure design & execution More magazine. Hand art: display books Chavin Lambert (ad agency). Production design: advertising
Grid Typographic Services (financial type house). Digital production: Creative Works (catalog production studio). Digital production: catalog production Atlantic Monthly magazine, marketing dept. Production design: advertising
Corporate Language Services (foreign-language service). Digital production: 92nd Street Y (cultural institution). Production design: advertising, catalog Korey Kay & Partners (ad agency). Logo art, production design: advertising Kirshenbaum Bond & Partners (ad agency). Consultant: font customization
Time magazine, marketing department. Production design: advertising, Tarsitano Creative (design studio). Production design: direct mail Lipman Richmond Green (ad agency). Production design: advertising
Transimage (foreign-language production studio). Digital production: Miramax. Production design: advertising NY Creatives (design studio). Production design: display & signage Freidberg Feder DiMasi (design studio). Production design: advertising Influence USA (ad agency). Production design: direct mail, advertising Nestor & Stermole (design studio). Production design: advertising, collateral Cliff Freeman (ad agency). Production design: advertising Image Axis (design studio). Digital production: pharmaceutical packaging
Crain Communications ( Crain’s N.Y. Business ) (business weekly). American Lawyer magazine. Production design: magazine production Global Financial Press (financial printer). Digital production: financial reports Admento (advertising specialties). Production design Lloyd & Co. (catalog design studio). Production design: catalogs Bozell Jacobs Kenyon Eckhardt (ad agency). Production design: advertising Harte-Hanks Direct (ad agency). Production design: direct mail, comping Hill Holliday (ad agency). Production design: advertising KPMG Peat Marwick. Production design: proposals, infographics Studio Design Style consultant: foreign-language typography
Rapp Collins (ad agency in-house production dept.). Schechter (package design studio). Production design: packaging
Doremus Advertising (ad agency). 4/97–8/98 (plus part-time and on-call Grey Direct (ad agency). Production design: direct mail
Ogilvy & Mather (ad agency). 11/94–3/96. Quality control, Production design,
Lloyd & Germain (display & ad studio). Staff, 7/93–7/94. Production manager:
Estée Lauder. Production design, typographic proofreader, editor: advertising,
Alliance Design (NJ) (design studio). Typographic proofreader, copy-editor:
Gerstman & Meyers (package design & marketing consultant). 3/91–11/92. Wells Rich Greene (ad agency). Typographic proofreader, editor: advertising Typographic Workshop (type house). Typographic proofreader: advertising Harrison Scott (type house). Typographic proofreader: advertising Characters (type house). Typographic proofreader: advertising Techni-Process (display type house). Typographic proofreader: advertising Line & Tone (type house). Typographic proofreader: advertising Tanatype (printer). Typographic proofreader: advertising Compmasters (type house). Typographic proofreader: advertising
Gerard Associates (foreign-language type house). Typographic proofreader: Potomac (type house). Typographic proofreader: advertising Graphic Technologies (type house). Typographic proofreader: advertising 219 Type (type house). Typographic proofreader: advertising The Ace Group (type house). Typographic proofreader: advertising Ascenders (type house). Typographic proofreader: advertising Type Consortium (type house). Typographic proofreader: advertising
Pastore DePamphilis Rampone (PDR) (type house specializing in annual CT/Photogenic (type house). Typographic proofreader: advertising. Staff.
Typographic Directions (TDC) (type house). Staff, 10/85–10/87.
Majestic (type house). Typographic proofreader: advertising, magazine,
Fodor’s Travel Guides (publisher). Editorial proofreader, copy editor: Stein & Day (publisher). Copy editor: trade books Funk & Wagnalls (publisher). Editorial proofreader: reference books
Pennsylvania, 1980–1985Penn State University Thesis Office. Editing and copy editing,graduate theses and papers
Penn State University Press. Proofreader, copy editor: scholarly
New York, California, Boston, pre-1980Way back when, starting at a very early age, I did small job typesetting and printing on my own hand press (actually my dad’s), and was office boy at a small Brooklyn newspaper. I held a variety of printing jobs at local and industrial printers, a newspaper, a defense contractor in Silicon Valley, and NASA’s Ames Research Center. I also worked in a used bookstore, and fixed cash register printers for National Semiconductor.
|